July 2025
Volume 19
Issue 2
(Ed Note: I speak of my mother’s transition below as a stand in for all mothers, fathers, ancestors and descendants, and relatives and loved ones of all kinds. Her story is unique, and yet the issues it raises are universal. I share excerpts of a dharma talk I gave last month in my role as her spiritual companion, and as an invitation to the SDI community. The talk was delivered orally, and the transcription below reflects this. It is centered on one of the koans of the Zen curriculum.)
Case 55 from the Hekiganroku:
“Dogo’s ‘I Would Not Tell you’.”
Main Subject (abbreviated)
One day Dogo, accompanied by his disciple Zengen, went to visit a family in which a funeral was to take place, in order to express sympathy. Zengen touched the coffin and said, ”Tell me, please, is it life or is it death?” Dogo said, “I would not tell you whether it is life or death.” Zengen said, “Why don’t you tell me?” Dogo said, “No, I would not tell you.”
One day Zengen, carrying a hoe, went up and down the lecture hall as if he were searching for something. Sekiso said, “What are you doing?” Zengen said, “I am searching for the spiritual remains of our dead teacher.” Sekiso, “Limitless expanse of mighty roaring waves, foaling waves wash the sky. What relic of the deceased teacher do you seek?”
————-
I want to introduce you to my mother. Her name was Maria Isabel de la Luz Molares Mora, or Mariluz (Mary of the Light), and she transitioned recently at ninety.
She was certainly free-spirited. She came from a very Catholic family in Spain. Her younger brothers and sister ended up being priests and a nun. And she was the eldest, but that wasn’t the path she wanted to follow. So, she left Spain in 1959, at age twenty-four, to go to Holland, already breaking with expectations and traditions, which would be hallmarks of her long life. Even more so when she met my father, and crossed not just religious fault lines, but also cultural ones, and racial ones. And we’re talking 1959, 1960 in Europe. This was not expected, or welcomed.
This is just a marker to show how determined, fierce, and strong-willed she was, and how she would never let anything get in the way of what she thought was right. She was a fantastically accomplished writer, a teacher, voracious reader, mother, grandmother, great-grandmother, friend to many, and yes armed with a fierce will, but also very sophisticated, cultured, and charming. We learned a lot of our chameleon skills, my two brothers and I, from her: how to navigate different cultures, and different approaches, and how to never be afraid to rock the boat. And you certainly didn’t want to stand in her way when she was rocking the boat.
These last six months, I was her constant spiritual companion for long hospital stays, visits to over 23 doctors, juggling medicines, long nights, anxiety, and constant emergencies. Always by her side. I was her gatekeeper, protector, and spiritual companion. And so, after 62 years, I developed a new intimacy and a new rapport with my mother in these last six months that I’d never had with her before. And which has permanently altered my make-up as a whole, and of course my ongoing relationship with her.
So that’s by way of prologue. I’ll take you to her last day. She had lost a lot of mobility, and it could be very painful for her to move. So, her world was shrinking and shrinking. She was in hospice at home. Normally, there would be a progression of nurses of different kinds, physical therapists, occupational therapists, regular nurses, social workers, all showing up every day.
But that last day, no one was available. Very unusual. It ended up just being me and her, with one exception. She had gotten to the point where she couldn’t take showers, and there was a nurse that would come to wash her down. And so, I said, “She wants to come, do you want to let her?” She hesitated, and then she said, “Yes, yes, yes.” Which brought me the last picture I have of her in full bloom in the aftermath of that ritual cleansing and bathing that she underwent. I looked in on her and saw her beaming in her bed. She was so happy, so joyful. Those were rare occurrences in the last six months, unfortunately, because she was on so many medications with serious side effects.
A bit later that afternoon, I heard her calling from her room. And as soon as I walked in, I didn’t just enter her room, I walked into a void, like a black hole. The kind of void that you experience on a dark night of the soul. One of those events where you realize that the universe, among other things, can also indeed be “empty.” It’s the Void, cold, lonely, foreboding, and eerie. There are no rainbows or ponies anywhere. It’s empty, mysterious, and dreadful.
And that’s the place where she found and I found ourselves. And we both knew what was happening. It went very quickly. She was very much at peace with her transition, even if aspects of it were quite messy. We stood together at the gate, and then off she went.
But it does suggest a quick reflection here, that if the universe in one of its aspects can be such a dark and foreboding place, which we can all experience, why don’t we appreciate what we have here now? This ability to see, and to sense, and to hear, and experience one another, and the sun, the moon, the stars, the leaves, and the flowers; a place where we can laugh, and sense, and reflect back on the universe that gave birth to us. Maybe even with the problem of evil in there, this is not such a bad place or state for us to be?
Which brings me to some reflections on synchronicity, alignment, and attunement. That last day of her transition, everything fell into place for that visit to the black hole, to the Void. It was just the two of us. How that happened, I don’t know, because that house was always full of nurses, therapists, social workers, and other visitors. What are the odds of this kind of choreography?
This is what the medieval philosophers would call teleology, a fancy word for design. That is, if you want to prove God’s existence teleologically you would say that this universe is so ordered and so precise, and we are so ordered and so precise, that we must have been designed. This kind of architecture does not happen by chance. Now, I don’t know if that’s true or not, but it certainly manifested that day.
Jung called this synchronicity. I often use the term alignment. But another way of describing it is attunement, the kind that manifests when we have a deep contemplative practice, and resolve into it with persistence and determination. As we do, we get sharper and sharper, and increasingly attuned. Something in us is activated that responds better to our surroundings, so that we find ourselves saying the right things at the right times, and so that we can have an appropriate response even when we’re provoked, and even when someone tries to do us harm.
One of the great gifts of a contemplative practice, and of refining our insights through spiritual companionship, as my mother and I both did, is that we are able to develop this kind of attunement, and a sharpness of mind that allows us to accept things as they are, not as we would want them to be. And that applies to anything. Whether it’s a so-called death, or the breakup of a relationship, or the loss of a job, or some disability, whatever’s going on with us, this practice allows us to look at it square in the face and accept it, because we don’t have any choice. Contemplation and spiritual companionship together allow this, and foster it.
And as we come to truly experience things arising and falling away, we realize that nothing is permanent. Most of the things that we think are important really aren’t. What is important is to be kind to each other. I know that sounds like a platitude, but it doesn’t make it any less true.
This can become unintentional as well. I think of an incident with my mother at a hospital a couple of months ago when there was a nurse who came in and said, “Mariluz?” and she responded, “Yes, yes, yes.” “Don’t you remember me?” This is clearly a seasoned nurse, one who’s been around, and my mom responded, “No, no, no.” And I didn’t remember her either. The nurse started crying and said, “I was in Harborview the first time you came in. And I was in a terrible depression, and I was questioning everything. And you changed my life. You changed my life because you showed me how to be resilient, charming, and enduring.” And that’s the gift of true spiritual companionship, that’s what’s important, that we be kind, even if we don’t ever see the results of our kindness. There’s a certain way that we comport ourselves that can lead others to gain the spiritual comfort that they so desperately need.
So, going back to the koan I began this talk with, there’s a line in there which is one of my favorites, and it’s in response to Zengen stating, “I’m searching for the spiritual remains of our dead teacher.” Sekiso replies with, “Limitless expanse of mighty roaring waves, foaming waves wash the sky. What relic of the deceased teacher do you seek?” And what’s going on there is, “look at the glory of this universe! Look at the glory of who we are, what we are, what we can see, and what we can experience. What is the point of looking for the relic of a deceased teacher? Or dwelling on someone’s corpse? Why would you want to spend your time that way? Your deceased teacher, your ancestors, your family, your relatives, everyone’s relatives and loved ones, are up there in those mighty roaring waves washing the sky.” Why don’t we learn to appreciate that?
A couple of final thoughts here. One of the things that I inherited from my mother is sometimes referred to as geographic dyslexia, but it’s not really. This is when you can’t tell your left from your right when you’re a kid. And you struggle to distinguish north from south, and east from west, even as an adult. My mother and I shared that kind of geographic “dyslexia.”
And let me give you a couple of examples of how it manifested for us: once, we were in India and we had gone to the marketplace to buy a few things, and got lost on the way back to where we were staying. And this was the summer in India, during monsoon season. And I don’t know if any of you have ever been in a monsoon, but if you think about the strongest shower that you’ve ever had in your life, and multiply that by about fifty, that’s the kind of water that falls on you in seconds.
We were wandering lost on the streets, in the middle of this monsoon rain. She was wearing a nice sari, and I was also dressed up in my Indian gear. And we were soaked beyond imagining in a couple of minutes, and initially desperately trying to find refuge. Which we didn’t. Giving way to explosive laughter, delight, and joy.
And the other one was more recent, just a few years ago. We were in Alicante, which is her and my hometown in the southeastern part of Spain. We’re going to a gathering, I’m driving the car, she’s right next to me, we get lost, and our smartphones are not working. Being geographically dyslexic I go, “I feel like this is the right way.” And she responds: “I feel it too. Let’s go that way.” And of course, we get increasingly lost because we both have the same condition. And we ended up forty or fifty kilometers out of the way, taking us ninety minutes to get to a place that was ten minutes away.
But we started laughing again, wandering through these small villages, startling the people there: “Who are you? And how did you get here?” And taking in those sights. And so, by the time we finally arrived at the place of the dinner gathering we were laughing again hysterically, like little children.
Both of these bring to mind a poem that I’ll leave you with here. It’s by Antonio Machado, one of Spain’s greatest poets, and one of the world’s greatest poets. I’m going to read it to you in Spanish first, and then I’ll give you my translation.
“Caminante, no hay camino.
Se hace camino al andar.
Al andar, se hace camino.
Y al volver la vista atrás, se ve la senda que nunca se ha de volver a pisar.
Caminante, no hay camino,
sino estelas en la mar.”
In English that’s:
“Wayfarer, there is no path.
You make the path by walking.
And when you turn around and look behind you, you see the trail you will never tread again.
Wayfarer, there is no path,
just wisps on the waves.”
To which I would add, “so that when you are lost, or think you are lost, you are truly found.”
“Limitless expanse of mighty roaring waves,
foaming waves watch the sky.
What relic of the deceased teacher do you seek?”
illustration by Matt Whitney
Permission
by Shannon Pace
(For the Woman in Luke 8:43)
She walked right up to you –
the woman who’d been bleeding for twelve years.
Who did she think she was
sneaking up on you that way?
Where was her hesitation
as she knelt in the dirt,
reaching through the crowd –
a desperate sea of ankles and knees;
when she gathered just the hem
of your robe between her cold, pale fingers,
as though it belonged to her,
as though she knew it would be enough
just to touch you?
Who told her
she was worthy,
that she could touch power like that
and claim it for her own?
Where was her sense of obligation
when she turned to leave, clean
Shannon Pace is a writer, a spiritual director, and the mother of three exceptional human beings. Along with forest walking, poetry is her favorite form of prayer. She holds an M.F.A. in Poetry and was recently published in Voices of the Grieving Heart, an anthology uniting the broken-hearted through poetry.
Praise Water
by Susan Harman
There are no words
to speak truth,
only praise for water
all sparkle and sound
golden hues glissade
over rocky rounds
hummingbird showers
in mountain mist
miracle of liquid life,
that glassy face
mirrors luminous soul
expansive overflowing
stream of Infinite Love
refreshes
restores
revives
drip
by drip by sacred drip.
“Wayfarer, there is no path.
You make the path by walking.
And when you turn around and
look behind you, you see the
trail you will never tread again.
Wayfarer, there is no path,
just wisps on the waves.”
Antonio Machado
trans. by SeiFu Singh-Molares
Publisher: Spiritual Directors International
Executive Director and Editor: Rev. Seifu Anil Singh-Molares
Production Supervisor: Matt Whitney
Web Designer: Ann Lancaster
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Listen is published four times a year. The names Spiritual Directors International™, SDIWorld™, and SDI™ and its logo are trademarks of Spiritual Directors International, Inc., all rights reserved. Opinions and programs represented in this publication are of the authors and advertisers and may not represent the opinions of Spiritual Directors International, the Board of Directors, or the editors.
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